Tuesday, September 8, 2009

listening notes

Stuff I've been checking out:

The first Moderat EP - Auf Kosten Der Gesundheit. It ain't revolutionary or anything, but you gotta admit the pads on "Russian Courier" make you wanna...

After listening to that, I started checking out the other bpitch control stuff, which ain't all that bad - being a fan of jizzmaster pads, I like Apparat a good bit (when there's no singing). iirc Alex, you went to one of this label's shows ...? This whole label is pretty much new to me. I'm sure this is old news to everyone else, but I'm a few years behind. Shut up.

I work with a guy who's way into Warp stuff, but he listens to more of the fringe-ish stuff in that family (think Plone or Leafcutter John) instead of the Big Ass Motherfuckers We All Listen To. He recommended I check out Foma by Lukid, which is OK, I guess. I think it's more background music to my taste, but there are a couple decent tracks on there. This to me sounds more like my mental vision of what dubstep is, though I have no idea what constitutes dubstep because

a) the only thing I can point to and say "that's dubstep" is that Boxcutter record everyone bought (Oneiric), and that's only because that's what the critics said about it

b) my experience with dub is generally the old-motherfucking Trojan Records / Lee Perry shit

c) I wouldn't know what two-step is outside of the "line dancing" context.

I get the whole "there's some shit from other records or made-up stuff, maybe vocals, maybe beats, and there's lots of delay or spring reverb so springy it might as well be delay or assloads of chorus and phaser on it" connection to dub, but... the lack of shitty improvised effects kinda ruins it for me. Maybe I need to listen to some Mad Professor, or something (?), but I always loved dub the most when it sounded like total ass and you could tell some dude made it in like 2 hours. There's a great place in Portland to go for beer, grease, and irony called Dot's, and every week or so they'll have a night where all they play in the restaurant are really old motherfucking dub / reggae records. I have no idea who most of the artists are, but the shit is golden, even taking into account the feel-good sentiment jammed into some of it.

Also, apparently there's some whole genre out there called Skweee, which is like dubstep, but more electro, with some kind of tenuous connection to RnB and funk...? I dunno. You can listen to shit at KlickTrack, though. I haven't really listened to much of this yet but figured I'd throw it out for discussion, because frankly that name is retarded (in both a good way, and a bad way).

and, yeah, even though I've resisted using pretty much every so-called "legitimate" digital music service out there with a vengeance, and wouldn't crack iTunes if it weren't for That Fucking Phone which I have, I have to say Lala is actually pretty decent. The music uploader thing is pretty buggy but just the prospect of not having to lug around a giant hard drive whenever I want access to my music library is ... enticing.

4 comments:

  1. bpitch control-
    yeah i saw Moderat a while ago. they had nice beats and pretty videos. also on that label, Modeselektor (2/3 of Moderat) is awesome totally manic bombast. Ellen Allien has some decent stuff, but often strays into minimal house territory (which is not always bad). haven't really dug much deeper on this label myself.

    dubstep-
    look through the earlier dubstep posts here to find a lot of stuff worth listening to

    skweee-
    the eero johannes record on planet-mu is essential if you haven't already heard it. the rnb/funk connection becomes pretty apparent.

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  2. i second that eero johannes nomination....that planet mu album was one of my top ten of last year. and if you listen to modeselektor, do not, i repeat, do not start with "happy birthday." it sucks compared to their earlier lp, "hello mom!"

    alex--did clark play a bunch of unreleased shit? any really hard dn'b?

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  3. As far as dubstep goes, I'd check out guys like Trolley Snatcha, The Others, Unitz, The Widdler, Reso, Joker, Emalkay, etc. From what I've heard, the big names (Skream, Caspa, Digital Mystikz) are garbage. I'd probably get stabbed for saying that to the "true heads", but whatever. I'm still not convinced that dubstep can compare to DnB or good ol' techno. Just my opinion, of course.

    Oh, and you should check out "Ill" by Chasing Shadows. Drop of the year IMO.

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  4. ben: yes to both. maybe not a "bunch" of unreleased stuff, but a good 4 or 5 tracks. i've been meaning to post a "review" of the show, complete with crappy iPhone videos. i will put that up this weekend.

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